Thursday, September 8, 2011

Sold Out

or: Cornwell's(?) for sale as Brangwyn's(!)

This post neither states or implies, nor should any party infer or otherwise construe, that willful fraud was attempted by any participants of the auctions featured. As per usual I chalk it all up to some degree of honest incompetence.

'Bought In' euphuism for UNSOLD. Why did these 2  lots not sell? One can only suppose the prospective buyers where hep to their jive.

Lot 1 - Arab market scene, 1922. aka The City of the Great King, ca1926


Listed as the work of Sir Frank Brangwyn, it is decidedly not. Brangwyn's brushwork is more fluid. They say its signed, where …thats not his signature, does it say Tangiers? Once the composition is properly identified you might be tempted to state the work is a study by Dean Cornwell. That I feel would be a fallacy. The modelling attempts to mimic the original yet the drawing persistently fails. The proportion of each group of figures is off, as is the scale of individual figures within the groupings. Now you might say, "but its a study!", well …a color study at that size would be based on the final design (see Lot 2) …the negative shape of the street and the subsequent tangent at its apex is just inexcusable.

Dean Cornwell - The City of the Great King - January 1926 Good Housekeeping


At this point 'after Dean Cornwell' seems proper. As in a previous post, lets run the numbers (all estimates in U.S. dollars, USD);

Brangwyn, estimate~  theirs $15,000 - 20,000 …mine $12,000 - 16,000
color study/partial composition/unsigned, Cornwell, estimate~  $1,200 - 3,000
after Cornwell by Inconnu ca1920's, estimate~  $450 - 900  (take it and run)





Lot 2 - Village procession, aka The Road to Damascus, ca1925-26


Listed as by Sir Frank Brangwyn, one would expect better of Christie's (future post there). Though not a Brangwyn, this one fares better as a probable original Cornwell study. Well drawn, well painted, study based on final design so thought can be devoted to pertinent decisions regarding colour-values.

Dean Cornwell - The Road to Damascus - November 1926 Good Housekeeping


We'll go with 'attributed', hell let's go crazy …by Dean Cornwell. The numbers;

1989 numbers
Sir Frank Brangwyn~  $5,141 - 8,568
Dean Cornwell (not signed)~  $500 - 1,800



Lesson learned~ You can ask for more money if you list it as by Brangwyn rather than by Cornwell.

Thursday, September 1, 2011

Robert Riggs (1896-1970)

Coney Island , from FORTUNE magazine 1938

from LIFE Sep 3, 1956

Boris Godounov, In Time of Tyranny, 1945

1946 Capehart - Farnsworth ad

Brünnehilde Weeps at Siegfried's Funeral Pyre, 1946

Dole Pineapple Juice ad, 1938 - Lithograph


Wyandote ad, Titans out of the Earth

Roman Nose, ca1948

The Brown Bomber (Joe Louis), 1938

1953 Shell Oil Company Joe Magarac


High Bars ca.1933, 30"x 36"

Fixed Fight from The Saturday Evening Post, July 1951

Country Gentleman - May 1944

Mayday Parade from FORTUNE July 1939

Monday, August 29, 2011

Master Copy #4


Sometime circa 1937, Nicolai Fechin copied a number of Holbein drawings, seeking to internalize Holbein's economy of line and modeling.

Fechin copy after Holbein - c1937


William Fitzwilliam, Earl of Southampton (c.1490-1542) Hans Holbein the Younger

word cloud ~ Николай Иванович Фешин , Nicolai Fechin , Nikolai Fechin , Nikolay Fechin , Fechin , Feshin , Рисунок , Портрет , Drawing , Portrait , Hans Holbein the Younger

Tuesday, August 16, 2011

Briggs' Blues in A minor

'The years I spent working for the old Blue Book were invaluable to me. I think the stuff I did was awful, …


but it was different. In those years, I was trying to learn, …




and the Blue Book editor Don Kennicott allowed me to experiment. …



He respected the potential he saw. …


I could do about any kind of picture for him, and he would accept it.'



~ Austin Briggs


Thursday, August 4, 2011

Seven Up, One Down

or: A Small Attempt at Correcting Internet

I have seen the following 7 illustrations/paintings erroneously attributed on Internet. Six were identified as Dean Cornwell's and one to his short time teacher Charles S. Chapman. Hopefully this post will once and forever set the record straight.

title?, Charles E. Chambers

Mead Schaeffer - Grand Canary - 1933 Good Housekeeping

Mead Schaeffer - Head Tide - 1932 Good Housekeeping

Remi and Mattia pause for a moment on their way from Paris to Boulogne, Mead Schaeffer

The Buried Talent, Dan Content - February 1934 Hearst's/Cosmo
The Buried Talent, Dan Content - February 1934 Hearst's/Cosmo

Driftwood, Walt Louderback - July 1929 Hearst's/Cosmo
verso

Driftwood, Walt Louderback - July 1929 Hearst's/Cosmo

Saturday, April 23, 2011

Manet - The Dead Christ with Angels

Édouard Manet (1832–1883) ~ The Dead Christ with Angels ,1864 oil on canvas 179.4 x 149.9 cm

Wednesday, April 20, 2011

Master Copy #3

Paxton after Ingres

American Impressionist of the Boston School, William McGregor Paxton took the opportunity to copy Ingres' Odalisque à l'esclave, in 1932, shortly after it was acquired by his friend Carroll S. Tyson.

signed COPIED BY PAXTON, dated 1932, and inscribed J. INGRES / ROM. 1839, oil on panel, 74.1 by 101.6 cm

Jean-Auguste-Dominique Ingres, Odalisque with a Slave, 1839-1840, Oil on canvas,  72.07 x 100.33 cm

Theme, subject, pose, the gesture of a hand …Ingres constantly explored motifs.

Odalisque with Slave, 1842,  Ingres with Jean-Paul Flandrin (French, 1811-1902) oil, 76 x 105 cm

A drawing for or after the 1839 canvas.

INGRES ~ Odalisque à l'esclave, lavis gris, mine de plomb, papier beige, rehauts de blanc